Alice In Wonderland

Tim Burton has never been a filmmaker that has had me excited when a new film of his is about to be released. For some, Burton is an off-the-wall filmmaker, with traces of artsy, independent flair to get them feeling like they're experiencing something just profound enough. Not too much though. Others recognize the artist in him, the one with the touches of gothic style, who isn't so much a fake, but rather a filmmaker that has sold out. That's how I tend to view Burton, realizing his potential and knowing how great an artist he can be. Just look to Edward Scissorhands and Ed Wood for shining examples.

But with Alice in Wonderland, Burton has made a film that is too similarly tied to his abysmal Charlie and the Chocolate Factory than his earlier classics. Which is a shame, because Alice could have been his ticket back to "artistic" success. Instead, anyone who saw the Disney version of Alice in Wonderland will essentially see the same film, only with an older Alice, darker images, and unnecessary 3D effects. The script offers nothing new to keep those familiar with the story interested, except maybe the inclusion Lewis Carrol's Jabberwocky. And to have Alice, now much older than when she first visited Wonderland, forget everything she knew about that world by blaming it on a dream only serves to make the film that much more like the Disney version. All this would be less egregious if Alice could simply recall the only dream she has ever had (the one about her first trip to Wonderland), instead of failing to recognize a single thing about Wonderland the moment she arrives.

Setting aside the screenwriting, which is the source of most of my complaints, let us turn over to the technical side. As to Burton's directing, there isn't much to say other than it looks nice. But there isn't anything particularly stunning about his work, nor any scenes that stand above the rest. Which, and this does tie back to the script issue, is likely due to everything in the story happening so damned conveniently that emotional weight is devoid in nearly every scene. It's hard to get into a film when everything is predictable and easy. But back to the technical stuff, like the 3D. This film was converted after the film had been shot, and the difference is noticeable. Blurry images, simple depth-of-field, and other problems detract from the 3D doing anything useful. Then again, I'm not the worlds biggest 3D advocate.

We can touch on the acting, which really amounts to how Johnny Depp performed. His Mad Hatter was an interesting character, and he did much better with it than he did with Willy Wonka. I did see hints of a darker, meaner Hatter, but we never really quite get there. Everyone does decent work, but nobody is all that stunning. The most interesting characters were those that were animated, like the March Hare and the Dormouse.

I'm still waiting for Burton's return to form, and hopefully I won't have to wait too long for it. His earlier work was his best, and I don't think it's crazy to want more of that. So Alice might not be it, and it may not be anything more than average, but at least it isn't terrible. Just lose the blockbuster urge and return to simpler times. That's my advice.

Genre - Fantasy (2)

Screenplay (2)

Acting (2)

Production (2)

Directing (2)

The House Of The Devil

The House of the Devil had me excited, more to see if Ti West's experiment succeeded, and less about the actual film. And I use the term experiment loosely, because the film doesn't feel all that experimental, but has qualities that differentiate it from other films of its time. While West certainly succeeds with his experiment, he has also succeeded in crafting a highly enjoyable and terrifying film, which, above all else, is the most important aspect.

At this point, those unfamiliar with The House of the Devil will be wondering what this aforementioned experiment is. Ti West, writer and director of some horror films you've likely never heard of (I haven't), has created an authentic 1980s horror film. Now, I don't mean he imitated or copied or drew inspiration from 1980s horror films, but has actually created one nearly two decades after the 80s. From the camera angles, the grainy video quality, the credit font, the pacing, the score, and just about everything else, The House of the Devil is a pitch perfect 80s film. In fact, it's better than many of the films from the actual decade. So experiment may be an appropriate term, because The House of the Devil doesn't feel like a movie made in 2009, but feels like something that came from the era of Friday the 13th and A Nightmare on Elm Street.

The story concerns itself with satanic cults, and the depraved and awful things they can do to innocent people, especially young, virgin college girls. But the film is actually more about Samantha, a young woman who is meant to "babysit" some elderly woman, stuck alone in a huge house in the middle of nowhere. West uses this time to build tension, slowly, which lends itself to some truly stomach clenching moments. Instead of jump scares - though there are a few - West builds upon a growing sense of dread, having the audience fear for Samantha's life, whose only foul was being desperate.

The acting is consistently solid, and the performance by Tom Noonan is quite good. He has a presence, and while he may not seem, at first, to fit, his role may be more essential because of this. And while Noonan deserves much of the credit, West managed to write characters with unique voices that seemed to be layered enough to be interesting. His script has us caring what happens to Samantha and her friend Megan. That is not an easy task, probably because it is so rare in current horror films. The teens in present day horror are all mean-spirited and obnoxious, so their deaths don't mean as much to viewers as characters we care about.

The House of the Devil is tense in all the best ways. It is a horror film that doesn't rely on jump scare tactics or excessive gore to sell the fear. This is a beautifully crafted film that belongs to another decade, but audiences now will have the pleasure of seeing it in this era, before it has a chance to age and gain a cult following. The House of the Devil is a stylistic throwback that anyone who experienced horror films in the 80s should see, but so should horror fans of the present. It's truly worth it.

Genre - Horror (3.5)

Screenplay (3)

Acting (3)

Production (4)

Directing (4)